Costume Design

M.F.A.  candidates in costume design learn in the classroom through rigorous project work and through real world application by producing high quality productions. The program is sufficiently flexible to meet the individual needs of the student and offers strong guidance and mentorship while providing a wide range of classes, training and experiences. Developing a strong portfolio of fully realized designs with careful mentorship is a primary goal of the program, along with exploring non-traditional design opportunities through extensive studio course work.   

Our program fosters a collaborative environment through working with directors, peer designers and theatre technicians in creating theatrical productions. We believe in the importance of well-rounded future professional theatre practitioners and educators who have artistic, intellectual and practical skills that will allow them to be life-long engaged theatre artists.

We admit a unified graduate cohort every three years, wherer students progress through the program as a single group. Our current cohort for 2026–2029 and is now at full capacity Recruitment for our next cohort (2029–2031) will begin in fall 2028. To receive notifications when the application opens, please fill out this form.

Although our current cohort is at capacity,  our field of study is shaped by emerging opportunities and evolving needs. As a result, there are occasional instances in which an off-cycle applicant may be considered. Bottom line, if you are interested in our program, please reach out to head of graduate design (Shawn Irish).

Applicants wishing to apply to the MFA Design Programs should prepare to provide:

• Applicant Information
• Unofficial Transcript, including GPA
• A résumé detailing academic experience, professional work in the theatre, and other relevant work experience.
• A Personal Statement, two pages (max), addressing the applicant’s reasons for wanting to pursue an M.F.A. in Costume, Scene or Lighting Design. The statement should also discuss the applicant’s goals after completion of the program. Applicants are welcome to share other relevant information that might give the selection committee perspective on their application.
• A portfolio of work that highlights your creative research, ideas, and design perspective. This could include photographs of realized productions, renderings, costume construction, class projects, personal artwork, or any other materials that best showcase your skills and ideas including unrealized work. Lighting and Scenery portfolios should include drafting samples as well. We are interested in how your portfolio reflects your unique point of view as an artist and storyteller. Please make sure to include your first and last names in the filename. You may provide a link to your website of upload a PDF version of your portfolio.
• Three Letters of Recommendation from theatre professionals, professors, or other people who are familiar with the applicant and/or their work. One of the recommendations must speak directly to the applicant’s theatrical work.

The GRE Test is not required for admission to the M.F.A. Program in Costume, Scene or Lighting Design.

Final admission into the MFA Program requires a formal application to the University of Arkansas Graduate School. This step is not necessary until one has been invited to interview for the MFA Programs in Costume, Scene or Lighting Design.

A typical candidate pursuing costume design will have the opportunity to design a minimum of two mounted productions and a maximum of five. The MFA Candidate will gain a robust portfolio of designs including period pieces, drama and comedy, non-traditional design and musical theatre.

We provide the graduate M.F.A. candidate in costume with the opportunities and experiences to be competitive in the job market through developing– a portfolio of work, a resume a website, internships as well as providing design and technical assignments. M.F.A.  costume candidates can also serve as a costume design assistant, costume shop manager, cutter/draper, first hand or crafts artisan, or makeup designer.

Masterclasses and production experiences with professional theatre artists enhances the programs intensive curriculum. Recent guest artists include Christine Jones, Howell Binkley and Tim Saternow.

Costume designers are supported by a well-equipped shop that is staffed by a full-time professional costume shop manager.

The Department of Theatre typically produces six productions a year with generous budgets in three different venues giving designers a variety of experiences.

• The University Theater is a 315-seat proscenium stage theatre, housing fully equipped scenery, and costume construction facilities and state of the art lighting, sound and rigging systems.
• The UA Black Box Theater is a 181-seat flexible black box space, located on the Downtown Fayetteville Square. This theatre features state of the art sound, lighting and production systems.
• Studio 404 in Kimpel Hall is a 75-seat black box space which accommodates student directed, projects, experimental productions and new play workshops.

As part of their training, M.F.A.  costume design candidates are required to complete one professional internship. Past students have worked at Williamstown Theatre Festival, The Barter Theatre, The American Players and the Utah Shakespeare Festival to name a few.

During the professional internships MFA Candidates enhance their portfolios, gain real world skills and build their network of professional contacts.

Travel to Conferences

Each year the Graduate School and the Department of Theatre offers financial assistance to qualified students, enabling them to attend and participate in regional and national conferences and professional auditions.

USITT

The Design and Technology faculty are all been active members of USITT and have served on a number of panels at the national conference. Students have the opportunity to attend and present their work either at the "Cover the Walls" exhibit or the "Design Expo" and are encouraged to join this wonderful organization. Each year the conference is held in an exciting part of the country.

Theatre Studies in London

Students have the opportunity to travel to London for this five-week course. Outside of class, students view at least 12 professional theatre performances at the National Theatre, RSC and London’s West End, tour theatres and historic theatre sites, and take master classes with actors, designers, directors, and critics from the English stage. Excursions include trips to Stratford-upon-Avon to visit Shakespeare’s birthplace and Bath to view the costume collection house there among many others.

Nestled in the beautiful foothills of the Ozark Mountains, Fayetteville and its Northwest Arkansas environs are fast becoming a cultural destination. The Crystal Bridges Museum of American Art, only adds to the area's already rich cultural legacy and has announced plans to open a new space for contemporary performance and art.

Fayetteville and the surrounding area of Bentonville, Rogers and Springdale is home to a thriving theatre community. Dazzling architecture and abundant live music, together with the area's natural beauty and congenial urban environment are found in the area. With its many restaurants and cafés and its tradition of live music, Fayetteville is often referred to as Austin's younger cousin.