Kernodle New Play Award

Annually, there is a single prize of $500 given to the winner. One or two “special commendations” may also be awarded.

Winning plays and finalists will be considered for public readings by the University of Arkansas Department of Theatre. In previous years, the Department of Theatre has invited the winner to conduct a workshop, meet with graduate students, and, on occasion, participate in a developmental reading at the University. These activities are supplementary and contingent upon scheduling, the writer’s artistic needs and interests, and the availability of students during an already demanding academic year.

Announcement of Awards:  Fall  2026.

Our reading committee is largely comprised of current MFA theatre students, alums, and U of A faculty. With respect to the graduate students workload during any given cycle and coupled with our commitment to accept unsolicited manuscripts without a reader’s fee, we have capped the amount of unsolicited manuscripts we can accept to the first 100.

Please see submission guidelines below and thank you for your understanding.

Eligibility: All playwrights must fill out our online submission form during the submission window Nov. 1-Dec. 16, 2026.  

Our submission window is currently closed  Our annual submission  window will  open Nov. 1- Dec. 16, 2026. To prepare your submission, please review our submission guidelines below.

Please understand, due to staffing levels (and a commitment to keep unsolicited submissions free), we only accept the first 100 unsolicited submissions received. Once the submission. window opens, early submissions are recommended.    

Please Note:  Playwrights whose work has been solicited, agent submissions, and playwrights who currently reside in, or are originally from, Arkansas are welcome to apply until the Dec. 16  deadline. Please fill out our online form, indicating who solicited your work/agent affiliation, or your ties to Arkansas.

 For all submissions, please follow the process below.

Submission Materials:

• Complete our Online Submission Form where you will be asked to provide:
  • A 10 page sample from the script you are submitting
  • A brief synopsis and history of the script
  • Author Bio
  • Full-length manuscript (70+ minutes)
  • All documents should be in PDF format and uploaded to our Online Submission Form
• Plays submitted in previous years will not be accepted.
• Plays must be unpublished and cannot have been professionally produced (previous workshop OK). No plays for young audiences, or musicals please. Adaptations are considered only if rights are clearly secured or source material is in public domain.
• One submission per writer.
• Please allow 9-12 month response.

Submission Fee:  None.

Deadline: All submissions must be made between November 1 and December 16, 2026.

Announcement of Awards:  Fall 2026

 Co-Winners: 

• Ricardo Enrique - Parts Per Million & Prophets
• Andrea Stolowitz - Recent Unsettling Events
  

About Parts Per Million & Prophets

Mystical and timely, Parts Per Million & Prophets follows Silvia, a girl struggling to manage excruciating eco-anxiety. After a provocative science project lands her suspended at her new school, she navigates the halls, making friends and searching for creative ways to channel her debilitating feelings about the state of the Earth. In her search, she uncovers a secret her mother has kept from her—her inheritance of a long passed down spiritual tradition that will soon take over her body. Can she keep her sanity and stay in school as reality begins to break open and a new, ancient presence makes a home inside of her? 

About The Playwright: Ricardo Enrique

Ricardo Enrique is a multi-disciplinary artist, eco-philosopher, and educator. As an actor, they have performed nationally with TheatreSquared, Stages, Teatrx, Alley Theatre, HERE Arts Center, Ensemble Studio Theatre, Yale Repertory Theatre, and others. Television credits include: Dietland (AMC), New Amsterdam (NBC), Chicago P.D. (NBC), Alternatino with Arturo Castro (Comedy Central), and others. They are a 2025 Houston Arts Alliance grant recipient, which they’re using to produce their first short film, Cloud Maker, a story about grief and air inequality in Houston. Their first two full-length plays have each been awarded as finalists for the Eugene O’Neill Playwriting Conference (Parts Per Million & Prophets in 2024, and Los Pecados de Iberia in 2025). Their work and practice is dedicated to climate activism, dismantling the myth of human exceptionalism, and curating experiences of ecological atonement. Instagram: @unacasaguayaba

About Recent Unsettling Events

A college protest. A canceled professor. A revolutionary spirit. As a student protest over a required Western Civilization class roils a small liberal arts college, the characters pulled into the maelstrom confront the larger complexities, entanglements, and conflicting values in our higher educational spaces.  Rich with nuance, carefully drawn characters, and timely themes, Recent Unsettling Events asks deep questions about our now: What is free speech? Who’s identity is represented in the curriculum? What is the need for critical thought? What is revolution? And who pays for it in the end?

About The Playwright: Andrea Stolowitz

Andrea Stolowitz is a playwright working in traditional and experimental theater and opera.  Andrea’s work embraces bold theatricality ranging from intimate portrayals of the human condition to the intersection of national history and private lives. Andrea is a member of the New Dramatists class of 2026, the Lacroute Playwright in Residence at the Oregon Jewish Museum Center for Holocaust Education, and the artistic director of Andrea Stolowitz Theatre Projects, the producing arm of her creative work. Andrea splits her time between Cork, Ireland; Berlin, Germany; New York; and Portland, OR.  Andrea is also very, very funny. MFA: UCSD.  https://andreastolowitz.com/

Special Citation: DJ Hills  - Horsegirl & Cowdaddy

>Read the full 2025 Press Release (coming soon!)

 Winner: 

• Mathilde Dratwa - Dirty Laundry
  

About The Play

A thrillingly innovative yet deeply human and humorous story, Dirty Laundry follows an adult daughter trying to find stable ground when the spin-cycle of her life throws her way off balance. Following the unexpected loss of her mother and simultaneous discovery of her father's infidelity, the daughter juggles grief and anger as she cycles through the messiness left behind after a loved one leaves us. Her dad attempts to put into words his complicated feelings about love, loss, and lust. Meanwhile, the "other woman" ponders: What is an affair when it's no longer an affair?

About The Playwright

Mathilde Dratwa is a Belgian playwright and screenwriter based in Brooklyn, NY. Dratwa’s plays include Milk and Gall (Theatre503, London), A Play about David Mamet Writing a Play about Harvey Weinstein, Esther Perel Ruined My Life, and Dirty Laundry (World Premier WP Theatre; Audible; Henley Rose Award). Her work has been presented by the Ground Floor at Berkeley Rep, the Ojai Playwrights Conference, Roundabout Theatre Company, Rattlestick Theatre, Berkshire Theatre Group, American Players Theater, LAByrinth Theater Company, the Cape Cod Theater Project, and in London at the Young Vic. Mathilde is an inaugural Powers Playwriting Fellow at the Old Globe, an Affiliated Writer at the Playwrights’ Center, and was recently a member of the Orchard Project’s Greenhouse, a Dramatist Guild Foundation Playwriting Fellow and a member of New York Foundation for the Arts’ Immigrant Artist Program. She also writes for film and television; she has developed content for Netflix, FX, Chernin Entertainment, LuckyChap, Endeavor, Dirty Films, Red Wagon, Sony/TriStar and Wiip.

>Read the full Press Release

 Winner: 

• Alexa Derman - The Creature

About The Play

Soon. A biomedically-engineered creature made to create supplemental human organs is grown in the body of a graduate student. Soon becomes later. Later becomes lifetimes. The Creature is a play about speculative research, reproductive rights, bodily autonomy, standards of cosmic care, and every wild thing.

About The Playwright

Alexa Derman writes adventurous plays, which include The Creature (Runner-up, Princess Grace/New Dramatists; Finalist, O’Neill National Playwrights Conference), Psychopsychotic (Honorable Mention, Relentless Award), Girlish (Fresh Ink), Zionista Rising (Winner, Jewish Plays Project National Competition), and I’ll Be In My Hanukkah Palace (sold-out at Ars Nova ANT Fest). Her work has been developed and supported by the Playwrights Center, Orchard Project, Clubbed Thumb, Ars Nova, Cutting Ball, Fresh Ground Pepper, Hedgebrook, and Ragdale. She's been twice nominated for the Susan Smith Blackburn and the L Arnold Weissberger prize. Alexa is currently under commission from Manhattan Theatre Club via the Sloan Foundation and was recently a staff writer on a Netflix series. BA from Yale in Women's, Gender & Sexuality Studies; brand-new MFA from Brown, where she studied under Julia Jarcho. alexaderman.com

>Read the full Press Release.

Co-Winners: 

• Jesús I. Valles: a river, its mouths
• Val Dunn: o, possum!

About The Play

a river, its mouths  by Jesús I. Valles: Struggling with severe depression after a string of personal crises, You return to your hometown in Texas, right by the river that raised You, right on the border with Mexico. It’s the summer of 2019 and while the Rio Bravo claims migrants’ lives during their perilous crossings, the people in your hometown are enchanted by rumors of a “Rio Grande mermaid.” Old magics are clawing their way out of the sand, out of the water, into the air, into your head, as the dead bodies of Border Patrol agents appear in the desert, desiccated. You’ve come home to make sense of your little life, but the river insists on itself, haunting the mouths of family, friends, and strangers. Something in the water calls to you. “Come,” the river says, “Come to me.” Something in you listens.

o, possum! by Val Dunn: The climate is in crisis, and so is the Mammalian Exhibit at Jumping Cholla Community Park — where a Park Ranger ‘deals’ with her feelings of inadequacy by biting off more than she can chew, looking longingly at her mate-me-be-me hero Thorn, and munching peyote with her best friend — the titular Opossum. But a bake sale gone awry turns out to be the last [single-use plastic] straw for our under-appreciated Park Ranger… who promptly punks out. At a park without a Park Ranger, things get wild: Opossum proposes eating our young, gluten-free = anarchy, and everyone remains cognizant always that the great hurtle toward death continues. How will the community of Jumping Cholla Community Park ever survive if they don’t work together as a community?!… seriously, how?… a balladeering Tumbleweed wants to know.) A (bleak) comedy about climate change, friendship, and dealing with the consequences of our inactions.

Read the Full Press Release.

 Winner: 

• Gina Stevensen - Book of Esther

A Play About Women Pushing Boundaries

Book of Esther, by Gina Stevensen, is about a new generation of women who are pushing the boundaries within the confines of an ultra-Orthodox Jewish community in Brooklyn. Protagonist Esther grew up in a loving and religious family, but she is 17 now and can feel a larger world outside her own.

When Esther decides to enter a local poetry contest, she finds herself asking surprisingly large questions, and begins looking for answers everywhere: from her parents, from the hipster barista she secretly befriends, even from her namesake, the mythical Queen Esther. Will her questioning take her too far to come home?

Read the full Press Release. 

Co-Winners: 

• Mia Chung -- This Exquisite Corpse
  
• Keelay Gipson -- The Lost, Or How to Just B

This Exquisite Corpse, by Mia Chung, is about the special relationship between South Korea and the West (particularly the United States) during and after the Korean War. It looks at this relationship through the lens of prostitution – an ongoing legacy of the war. But such historical information is, ultimately, secondary to the story of trauma and its impact on expression. 

The play summons Soojin, a wartime prostitute, to tell her own particular story in her own particular way – which happens to be through five fragmented and dislocated versions of herself. 

The Lost, Or How to Just B, by Keelay Gipson, tells the story of a Black boy navigating his way through the foster care system and the LGBTQ community while trying to find his wings – and love – when the world tells him he has none. Told through hip hop and spoken word, we follow B as he discovers himself through the city that raised him and the city he has never known. 

Gipson dedicates this award in memory of his mother, Gwendolyn Gipson.

Read the full Press Release.

Co-Winners: 

• Jason Grote -  Desire Path
• Alyson Mead - The Flora and Fauna

Desire Path, by Jason Grote, takes it name from city planning, which are those paths people make for cut-throughs around sidewalks or trails – those diagonal shortcuts in which pedestrians have stomped out the grass. Grote’s play follows a couple’s equally quixotic journey as he deals with fallout from his step-father’s death, she nurses a goat, and they both confront the death of the environment. One respondent writes the play “stands first in rank in regards to its imaginative scope and display of unchecked creative expression.” Like any desire path, the writing ventures places other scripts often do not tread, as it delves into problems that have no easy answers, displays scenes that are intricately woven, and complex themes ranging from nurture, empathy, and our responsibility to one another and to the planet.

The Flora and Fauna is a haiku of a play, deft and poetic in its exploration of a years-long relationship between two women. Playwright Alyson Mead balances trauma, joy, and love in a far too rare genre for the American stage: the female friendship play. As one respondent wrote: “There is power in the voice of the play, a strong expression of compassion, and effective craft.” The deceptively simple structure offers modern audiences an opportunity to immerse themselves in the depth and complexity of these two characters and the journeys of their lives. The Flora and the Fauna has also been recognized as a Princess Grace Award finalist, Henley-Rose Award winner, Bridge Initiative New Work winner, American Stage’s 21st Century Voices winner, among others.

Read the full Press Release.

Special Citation: Candrice Jones - Flex 

Winner: Carlos Murillo - Killing of a Gentleman Defender

Killing of A Gentleman is a funny, provocative, ambitious drama that artfully connects—through the magic of theatre and soccer—the underserved communities and kids of current day Chicago with the cartel-riddled neighborhoods of Colombia in the early nineties. The play energetically examines the real-life consequences of structural racism and finding yourself stuck in the wrong place at the wrong time, whether that be on the soccer field, or in a South-Side neighborhood in Chicago.

Read the full Press Release.

Special Citation: EllaRose Chary - The Lake and The Mill  

Winner: Barbara Hammond -Visible From Four States

A lyrical drama that elegantly contemplates the intersection of commerce and faith. The play weaves together the plights of a struggling town that fights to stay on the map in contemporary America, while the residents confront their feelings about the death penalty as the prison up the road approaches its first execution in years.

Read the full Press Release

Special Citation: Mia McCullough - Wisdom From Everything  

Winner: Deborah Yarchun - Tectonic Mélange

When Tara, a petroleum geologist, surveys for minerals in a small town in North Dakota, she uncovers more than she expected- including deep community tensions and a darker side of herself.

Past Winners:

• 2015: On hiatus
• 2014: Adam Kraar: Dream of a Deer at Dusk
• 2013: Kevin Kautzman: Dream of a Perfect Sleep.  Read Press Release.
• 2012: …Searching our records*
• 2011: Roy Glassberg: Overture, A Riff on The Sin of Despair
• 2010: Michael Bettencourt: Let Down The Rains
• 2009: Evan Guildford-Blake: American Blues
• 2007: Tom Coash: Kamasutra
• 2006: Beau Willimon: Lower Ninth
• 2005: Richard Martin Hirsch: The Bear Claw Solution
• 2004: W. Gregory: Why We Invented God
• 2003: Natalie Gaupp: Lots of Greed and Avarice Going Down
• 2002: Rob Cardazone: The Birth and Death of Stars
• 2001: Seth Kramer: Speak Now
• 2000: Kent Brown: Hope and Mercy
• 1999: Dori Appels: Monkeyshines
• 1998: …Searching our records*
• 1997: Deborah Smith: Myrtie
• 1996 to 1986: …“And the rest is silence.” *

*Please contact us with information or corrections on the above listing.